Master Of Puppets as well, Slayer… all that kind of stuff. “I listened to Master Of Reality by Black Sabbath over and over. We hear you “connected with the character through metal” – what were your entry points? I think we’re far more drawn to someone that’s offensively imperfect than someone that’s constantly trying to be perfect and impressive.” But I’ve been very lucky, I’ve always had friends and haven’t felt like too much of an outsider.īut with all of my characters, if you don’t humanise them, you don’t care about them, and if people aren’t vulnerable and themselves and authentic, you tend to not really want to be around them. I joined my school two years late, so I guess there was maybe a little bit of overcompensation there. We all have moments where we feel vulnerable, maybe overcompensate. I was always very impressed with those people that were a little bit older than me that were very nonconformist, a little attention seeking.” “I think we all have those people that were a little bit older than us growing up, that we admired or had a soft spot for. What were your influences for the character? So I’m delighted that I got as much to sink my teeth into.” But I didn’t know anything about what would happen at the end, or how much he would actually be involved in the season. We had no idea how many episodes he was going to be in we were told at least four. “I auditioned a couple of scenes that were actually in the show. How much of the character had been fleshed out when you were cast?
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